Watchmaking anglage training · Les Brenets · Switzerland · 4 seats

Learn anglage through the component, the hand and the light.

8h to find your bearings. 40h to correct or move up a level. 100h to build the foundations and reference points of workshop practice.

Each format follows the same principle: look at what the component reveals, name the gap, correct the gesture and document progress. The conversation before choosing reads the starting point, the possible rhythm and the time that will truly let the gesture change.

French & EnglishAlexandra is bilingual in French and English. The training can be conducted in English, with theoretical explanations and corrections given in the chosen language.
Training method
References before the gesture
01 · References before the gesture

Set the references before filing.

Training begins with vocabulary, neighbouring finishes, materials and the reading of light. Before correcting, you need to know what you are looking at.

  • Width, reflection, surface condition and junctions
  • Theoretical references given in French or English
Bench training with binocular microscope, high-definition camera and 4K screen
02 · Bench and support

Set up the bench to prevent defects.

Posture, support, bench height, component holding and tool choice are set before increasing difficulty. Many defects start there.

  • Bench ergonomics, support points and trajectory
  • Files, abrasive sticks, micromotor and holders
Anglage benches, binocular microscopes, holders and tools at the Art de l’Anglage workshop
03 · Real component

Read a real component.

The component imposes its volumes, surfaces and sensitive zones. Work starts from those constraints: access, surface condition, protected areas and reflection control.

  • Watch components and adapted holders
  • Surfaces, volumes, edges and zones to protect
Watch wheel and surfaces to read before anglage work
04 · Surrounding finishes

Stabilise what surrounds the anglage.

Straight graining, satin finishing and basic finishes create the frame. The surface needs coherence before anglage is expected to solve everything.

  • Straight graining with abrasive sticks and micromotor
  • Satin finish, regularity and surface consistency
Satin finishing with a micromotor during watchmaking anglage training
05 · Anglage and difficult zones

Work anglage where it becomes demanding.

Width, reflection, pressure, corrections, junctions and internal angles are observed directly. The gap appears, is named, then corrected.

  • Hand anglage, micromotor and reflection control
  • Internal angles, external angles and visible junctions
Hand anglage on a watch component during Art de l’Anglage training
06 · Correction and autonomy

See, correct, document.

Immediate correction helps understand the gesture while it is happening. Progress photos, the certificate and, when the level justifies it, a recommendation become traces of the path.

  • Photographic portfolio included with 40h and 100h formats
  • Progressive autonomy after the training
Final presentation of a component after correction, cleaning and control
Workshop

The old gesture, today’s tools

The file, abrasive stick, micromotor, loupe and correction remain central. The dual binocular microscope, HD camera, 4K screen, adapted holders and sometimes 3D printing do not replace the hand: they make the gesture observable, and therefore correctable.

Watchmaking anglage training under a dual binocular microscope at the Art de l’Anglage workshop in Les Brenets
The dual binocular microscope allows Alexandra and the student to observe the gesture at the same time, correcting position, pressure, light and regularity with precision.
See the working environment

The workshop, the tools and live correction.

This video shows the real training environment: bench work, binocular microscope, high-definition camera, 4K screen, micromotors, holders and gesture correction on the component.

It also shows what matters in a small group: seeing the defect, understanding why it appears, then correcting it without moving the problem elsewhere.

Presentation of the Art de l’Anglage workshop, the bench and visual control during training.
Choosing your training

8h, 40h or 100h: choose from your starting point.

Each format has a specific function. Choosing accurately matters more than choosing long.

Format Mainly clarifies Starting point Useful outcome
8h
CHF 600
Find your bearings, test the gesture, understand whether anglage suits you and read the first gaps. Beginner, curious profile, professional who wants to assess the setting before going further. A clear view of the possible next step: stop, 40h or 100h depending on the initial level and objective.
40h
CHF 4,000
Improvement or level-building: width, reflection, pressure, corrections, junctions, surface condition. Existing practice, partial foundations or a clear need for targeted correction. A more readable and regular gesture, with defects better identified and corrected.
100h
CHF 8,000
Building the foundations: bench, reading, tools, surrounding finishes, anglage, repetition and control. Motivated beginner, career change, or profile needing to set the framework from the beginning. Foundations and reference points to approach the expectations of a manufacture or subcontracting workshop, then progress through experience.

Portfolio, certificate and recommendation: the certificate confirms the path followed, the portfolio shows before/after stages and a recommendation is issued only if the observed level justifies it.

8h: the discovery day is refunded if the 100h path is booked.

Realistic marker: employment and full autonomy are built afterwards; the format builds solid reference points and readable work.

Learning traces

Portfolios to read a real path.

For the 40h and 100h paths, Alexandra gathers before/after photographs, key steps and gestures worked on in an individual portfolio. It documents progress, but also the student’s profile: strengths, pace, qualities and the workshop contexts towards which they may then be guided.

Cover of Aristide Gargaglione’s training portfolio Cover of Christophe Gallis’s training portfolio Cover of Gwenaël Meyer’s training portfolio Cover of Jérôme Sauvat’s training portfolio Cover of Pierre Lavirotte’s training portfolio Cover of Sébastien Awignano’s training portfolio
Partner option

Work on a movement, then assemble it at BeWatchmaker.

For students who feel ready, and whose observed level allows it, a path can include work on a movement developed with our partner BeWatchmaker. The idea is to apply the gestures learned during training to a movement intended to live, then assemble the watch at the end of the path in the BeWatchmaker workshop.

This option is discussed with Alexandra. It depends on the chosen format, the actual level at the bench and the availability of the kit.

What the format clarifies

Your relationship to the bench, the slowness of the gesture, the light and the first visible defects.

  • test posture and support points
  • understand basic tools
  • see whether immediate correction helps you

Possible next step

Depending on what appears at the bench, Alexandra guides you toward stopping, a 40h correction format or a more complete 100h construction path.

The 8h discovery day is refunded if the 100h path is booked.

This format is right if…

You have already touched the craft, learned certain gestures, or developed habits that need serious correction.

For first contact, 8h is more appropriate; to build from zero, 100h will often be more coherent.

What is really worked on

The work starts from the component and the visible defects to reset priorities.

  • width, reflection, pressure and trajectory
  • corrections, junctions and internal angles
  • satin finish, straight graining and surface consistency

This format is right if…

You are starting out, changing careers, or your foundations are too fragmented to justify a direct 40h format.

It also suits someone who wants to understand the gesture in depth rather than skip steps.

What the 100h builds

The path sets the references in order: see, understand, correct, then repeat.

  • bench, vocabulary and reading of light
  • file, abrasive stick, micromotor and control
  • satin finish, straight graining, junctions and internal angles
FAQ

The essentials to choose without a mistake

Six short answers to frame expectations before choosing.

Is it accessible to a complete beginner?

Yes. The 8h format allows you to discover the workshop seriously. The 100h path can also suit a motivated beginner or someone changing careers. The level is demanding, but learning starts with simple reference points.

How do I choose between 8h, 40h and 100h?

8h helps you find your bearings. 40h helps correct or move up a level when a practice already exists. 100h builds the foundations and references of a workshop path.

Does the work start directly with anglage?

Work starts with the bench, vocabulary, surrounding finishes, reading light and understanding surfaces. This prevents correcting blindly.

Can the 40h and 100h formats help aim for a workshop?

Yes. The 100h path helps students move closer to the expectations of a manufacture or an anglage workshop. A true professional level is then built through experience, repetition and control.

Are the portfolio, certificate and recommendation individualised?

Yes. The portfolio reflects the pieces worked on, the progress made and the qualities observed. The certificate confirms the path followed. A letter of recommendation, when justified, takes the real profile into account: precision, regularity, pace, ability to read technical plans, autonomy, tool mastery or finishing level reached.

Is there follow-up after training?

Yes. For the 40h and 100h formats, simple follow-up is included after the course: review of the level reached, training guidance, help structuring the portfolio and possible orientation according to the qualities observed. It remains support, not a promise of employment.

Before choosing

The right amount of time is the one that lets the gesture change.

The conversation looks at your starting point, your relationship with the component and the rhythm needed to progress without skipping steps.

“When the eye begins to see more finely, the hand finds another way to correct.” Alexandra Schmitz

See contact & availability.